Fireside Cats

bigdumps: poster i made for a show a real long time ago,...

Mon, 08 Apr 2013 14:07:21 -0500

bigdumps:

poster i made for a show a real long time ago, thought i’d put it up today cuz p much dickturds to this lady

GUERRILLA BROADCAST17 MAR 2013 Archived - Not Downloadable :(

Mon, 18 Mar 2013 13:56:17 -0500

GUERRILLA BROADCAST
17 MAR 2013

Archived - Not Downloadable :(

GUERRILLA BROADCAST8 MAR 2013 Archived - Not Downloadable :(

Mon, 11 Mar 2013 15:57:49 -0500

GUERRILLA BROADCAST
8 MAR 2013

Archived - Not Downloadable :(

GUERRILLA BROADCAST6 MAR 2013 Archived - Not Downloadable :(

Mon, 11 Mar 2013 15:56:36 -0500

GUERRILLA BROADCAST
6 MAR 2013

Archived - Not Downloadable :(

Fireside Cats3 Mar. 2013 Archived - Not Downloadable :(

Mon, 11 Mar 2013 15:53:00 -0500

Fireside Cats
3 Mar. 2013

Archived - Not Downloadable :(

KWUR Hustle Week, 2013

Tue, 26 Feb 2013 23:34:54 -0600

mortysdrawers:

Help preserve and promote free-form student-run radio. Read more about our status, special events for this week, and future plans with the money we raise at kwur.com and kwur.com/alumni-letter

KWUR Hustle Week 2013 - Help keep our station alive!

Sun, 24 Feb 2013 20:55:34 -0600

katzenjammerradio:

As you may know, this week is Hustle Week here at KWUR 90.3 FM, our biggest annual fundraiser and the one time of the year where we give you AWESOME gifts in exchange for your donation. Please consider donating! This year, we are especially hoping to raise a lot of money as we are trying to file for a wattage upgrade. Your donation would go towards studies that would help us determine whether we can strengthen our signal at our current frequency, among other improvements. More info can be found here:

http://kwur.com/hustle-week-february-24th-through-march-2nd/

Thanks for your support!!!!

Fireside Cats24 Feb. 2013 DOWNLOAD

Sun, 24 Feb 2013 20:05:46 -0600

Fireside Cats
24 Feb. 2013

DOWNLOAD

GUERRILLA BROADCAST23 FEB 2012 DOWNLOAD

Sat, 23 Feb 2013 16:21:25 -0600

GUERRILLA BROADCAST
23 FEB 2012

DOWNLOAD

GUERRILLA BROADCAST14 FEB 2013 DOWNLOAD

Sat, 23 Feb 2013 16:21:00 -0600

GUERRILLA BROADCAST
14 FEB 2013

DOWNLOAD

GUERRILLA BROADCAST7 FEB 2013 No download link available :(

Sat, 23 Feb 2013 15:10:32 -0600

GUERRILLA BROADCAST
7 FEB 2013

No download link available :(

missed me?

Sat, 23 Feb 2013 10:16:32 -0600

missed me?:

my show was MIA last week because I was on a bus at the time, but tune in 6-7pm central time tomorrow and I’ll be back.

you can ALSO tune in to kwur in 45 minutes (11am-1pm) to hear me and Rory take over the airwaves once again.

monetizeyourcat: It is against the laws of computer animation to produce a bee. This is not to say...

Mon, 11 Feb 2013 23:56:31 -0600

monetizeyourcat:

It is against the laws of computer animation to produce a bee. This is not to say it can be done, and is not; rather, it is widely known to be impossible. The polygons simply don’t fit together correctly; it is unknown how bees appear three-dimensional in the wild.

So when Jerry Seinfeld approached Paramount with a brief treatment about a CGI bee, they were excited. They were getting the Seinfeld name, and they were going to show the world they could make a computer-animated picture about something no one else would dare to - bees.

But man-years of work produced only hideous, Groeningesque mockeries of the bee form. Millions of dollars were down the tube. In desperation, they settled on a final gambit: if they could not make a bee for Seinfeld, they would make a bee OF Seinfeld.

Over the course of a year, Jerry Seinfeld, then aged 52, underwent a gradual transformation at the behest of his new patrons at Paramount. Hundreds of procedures, costing tens of millions of dollars, caused Seinfeld to resemble an immense bee more than a human man. The executives at Paramount were unsettled by his grotesque transformation, and disturbed by the mounting costs of making a man into a bee, but they considered the patented Seinfeld style and the technical marvel worth the financial and human costs.

Paramount forged ahead with shooting, and Seinfeld forged ahead with the procedures. They finished the mo-cap for his new bee body in two horrifying weeks. Interns confirm Seinfeld refused to wear clothing - that he was fully nude for the duration of shooting, exposing his increasingly alien stinging genital. He was more bee than man now, and the world knew it - and he knew it.

But what Paramount did not anticipate, could not anticipate, was the effect of the gradual transformation on Seinfeld’s mind. Successive iterations of the script, as the scalpel and pint after pint of bee signalling peptides reshaped his body, became more and more incomprehensible to humans. Obsessed with hierarchies of power, and with stinging. Months into the scriptwriting process, Seinfeld confessed to co-star and personal friend John Goodman that he feared his drive to sting intruders had overtaken the procreative urge he understood he should have - which, as a drone, was increasingly alien to him.

The result was a disaster, even in test audiences. Shell-shocked Paramount executives asked Seinfeld why what was ostensibly a children’s film had long, dark, involved jokes about suicide pacts, the reparations issue, legal procedure, and genital mutilation. Seinfeld, without batting one of his many eyes, told the executives that his task was to vomit the nourishment of his ideas onto the young.

The turd was, at this point, complete. They had no choice but to polish it. Tens of millions of dollars went into an unprecedented ad campaign, in the hopes that buzz marketing would accrue to their technically proficient if alarmingly inhuman project. Seinfeld, for his part, was forcibly restored to a state resembling human, receiving dozens of transplants of pig and sheep organs and skin to permit a promotional tour.

Oddly enough, in candid interviews he has given since, Seinfeld confesses that the “restoration” process galled him more than his original bee metamorphosis. He has said - off the record - that human thoughts still feel alien in his brain, and he has not been able to feel fully safe and secure since his stinger was surgically removed.

His hope - and the reason he went along with his promotional tour in his mutilated and foreign human body - was for a Bee Movie sequel, and a chance therein to escape to the wild, fleeing Paramount and the strictures of human society. But Bee Movie was a notorious bomb, and Seinfeld lacks the money or the connections to illegal doctors to have anything like the procedures he had in 2006-7. If “to bee or not to bee” is Seinfeld’s question, Paramount has answered it for him: not to bee; never to bee again.

But bees have a long, long memory.